Fishing—It’s seduction by another name

The allure of trout
The allure of trout

I fish. I fish because it’s been a predestined part of my life since the age of two when my Dad gave me a book; Trout, by Ray Bergman. Published a couple years before my birth, it is a literary classic on trout and how to fish them. In the fly-leaf, my 23-year-old father inscribed his hope we would fish together someday. And we did. For 62 years.

Fishing fills me with wonder because it is ancient and yet still an essential foraging skill in certain parts of the world. In my life, however, fishing is an art, the subject of literature, and imbued with romance. Trout bedazzle me with their cunning beauty. Red and black spots speckle the bronze sides of the brown trout, and the mottled green-black sides of the brook trout are intensified by the contrasting red and white trim of their fins. Brown and brook trout are beautiful creatures of such allure as to weave a spell over those who seek them. I’m hooked.

Trout draw me to the stream and I’m enthralled with the life living along it. A day of fishing infuses me with the sound of running water, and the shrubbery twitters of warblers, thrushes, and catbirds. I see more clearly when blinded by light, broken and refracted on the riffle of water sliding over the shingle of limestone. Delicate mayflies, ephemeroptera, rising from the water’s film, mating and dying, tell me trout may soon feed with carnal abandon. And most of all, I’m enchanted by the trout themselves. The world as they see and know it intimately is a world I can’t enter, except through imagination.

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Home waters beneath the limestone cliff

Our home waters is a half-mile of a spring-fed stream in southeast Minnesota. For more than 60 years, my father and I fished this stretch of water flowing along the base of a sheer, limestone cliff where delicate harebells and ferns grow on narrow ledges. A hundred or more feet above us, ground-hugging junipers lean over the cliff like curious gargoyles. Our stream chuckles sibilantly over limestone shards, and gurgles around blocks of stone in the deeper pools beneath the bank. This is where Dad and I first fished together, and where we last fished together.

Dad fished methodically
I learned by watching Dad fish

Early on, along these banks, he taught me the rudiments of fishing. In my first years, Dad fished close by me and, if he hooked one, handed his rod to me so I could learn to play the trout and bring it to the stream bank. Sometimes he stood behind me, his put his hands on my arms, and guided my cast so I learned the timing in setting the hook. If I was too slow, the trout spit out the fly. If I was too quick, I jerked the fly from its mouth.

Beyond that, there was only so much a father could teach a young son, and only so much a youth was willing to learn directly from his old man. Dad fished methodically, patiently working the water before moving farther. From watching him, I learned to cast rhythmically, lay a tiny fly on a spot 25 feet away, and gauge how the currents would affect the drift of my line and fly. After that, I had to learn and develop, by trial and error, my personal style of fishing.

Fishing together, separately
Fishing together, separately

We fished together but separately, keeping several hundred yards of stream between us. When either of us hooked a trout, he or I whistled an alert so the other could watch and enjoy what we hoped was a spectacle. On difficult days, when trout were few, we stopped to compare notes on what flies worked best, or in where in the stream—riffles, pools or deep runs—the trout seemed to be skulking. Or we talked about the type of rises we saw—the lunge into the air after a caddis, the subtle suck that pulled a mayfly under, or maybe subsurface foraging of emergent insects. Wooing a trout entailed fashioning an approach—upstream or down, a particular fly—floating or sunken, a lair—riffles or pools. Out of consultations were memories made and bonds forged.

I taught my daughters as dad taught me

Decades later, I took my daughters to this stream and taught them fishing the way Dad taught me, then released them to fish on their own. I still see my oldest daughter, red hair pinned up, overalls rolled above her knees, standing in a mountain stream catching one rainbow trout after another. And see my youngest daughter showing off the prowess she honed while working summers on a Wyoming dude ranch. They validated everything I learned from Dad and taught to them.

The anticipation of fishing gives nearly as much satisfaction as fishing itself. The rod, the line, the fishing vest retain residual scents of fish oils and sunlight. A week before the opener, nothing is pleasanter than checking the waders, the boots, flies, and the net. Within these simple tasks lie memories if not stories of other days. Nothing bonds fishermen together like shared memories and tales well told. Some fish stories we tell are true but there are others stories we tell because we wish they were true. And in telling them, they acquire a kind of truth that need not rely on facts.

The seduction
The means of seduction

In the end, whether fishing for food or for sport, I think the idea of fishing and the act fishing constitute a form of seduction. Getting the trout to rise to a fly made of feathers and silk requires great skill. The good cast is an act of physical grace, and choosing and presenting an irresistible fly is the craft of the heart. Like any good seduction, there is a hook hidden within an attractive proposal. But there is an unanswerable question: Who is the seducer and who is the seduced? Is the seducer the exquisite trout that calls the fisherman to the stream to spend his day casting in hope of a conquest? Or is the seduced the trout that falls for the fisher’s proposal, the artificial fly? Like so many pleasurable seductions, both parties share a willingness to seduce and be seduced. And that, perhaps, is the allure of the stream.

 

 

Waiting, Hoping and Wondering

As a boy, I waited eagerly for many things. Waiting generated anticipation, hope, and impatience for time to pass swiftly. Waiting tested my self-control, and I learned to distract myself from the object of my attention. When you are a boy, and you think a day of waiting is an eternity, it helps to have something else to do.

Despite summer’s many delights on our farm, I longed for mid-October. Nothing delighted me like the shorter days, colder nights, the half-harvested fields of corn, the frost on the grass, and the pastel sunsets. Why? Because the seasons for hunting pheasants and ducks began in October. At the age of 13 or 14, I had no qualms about taking the lives of sentient creatures. I waited for glorious day when I could blast them out of the sky with a single shot.

Pheasant season opened in mid-October, and on that day my mother prepared lunch for the usual gang of hunters. Besides my father, there was John, our banker; Irv, who ran the feed mill, and his son Buddy; Doc, our dentist; Ed, the retired forest ranger, and me. We gathered in the house about 11 a.m., filled our plates with sloppy Joes on a bun, potato chips, a pickle, and a soda or coffee—the traditional opening day lunch. The dogs—two Weimaraners, and a setter—waited outside.

Our clock struck noon. Time to go. We heard muffled ‘booms’ in the distance where other hunters shot at birds. Each of us shrugged into our canvas hunting jacket, picked up our shotgun and stepped outside to start the ‘drive’ or sweep across the fields. Dad organized everyone so two men walked the sides of the cornfields and the rest of us spread out between them with the dogs.

State law limited each hunter to killing three rooster per day, and no hens. Holding our shotguns across our chest at port arms, we crashed our way into the cornfield. I heard the flutter of wings, followed by ‘Hen!” No shots. Then another flutter and the ‘BOOOM!’ of someone’s 12 gauge. And so it went all one opening afternoon in the mid-1950s. We spent hours working through each cornfield and weed patch where pheasants hunkered close to the ground.

I was about 15, and our gang had hunted most of the farm, and were walking back toward the house for coffee and cookies. We walked seven abreast across a hayfield, each man about 50 feet from the next. Easy walking there because the alfalfa was barely ankle height and offered no real cover to hide a bird. The afternoon was about spent, and so were we. We walked along, talking, with our guns slung casually over our shoulders. Suddenly, a rustle of wings. Cackling. A rooster shot out of the alfalfa at the far left end of our line. It flew six feet off the ground and 30 feet in front of us. The pheasant’s wings beat frantically, its neck stretched straight out, and its bronze feathers gleaming in the late afternoon sunshine. Pheasants always appear easy to kill on the wing.

“I got ‘em!” Ed yelled. BOOM! but the bird kept flying. As the rooster flew along our line, each of yelled, “I got ‘em!” BOOM! BOOM! BOOM! As the terrified bird flew faster. One by one we fired until the cock reached the right end of our line, soared upward a few feet, cleared the top of some brush, and vanished in our woods. Nary a feather did we touch. We stood in place, mouths agape. No one said anything. Then Ed laughed, a sneezy, nasal laugh. A laugh of self-mockery. We caught it and laughed until we wept, laughed until we gasped for air. The bird made a fool of us all. It was worth waiting for.

Besides pheasants, I waited for the ducks. Waterfowl fascinated me until I was obsessed with them. When I could, I stalked the riverbank in hopes of flushing a mallard, or went over the ridge to a pothole hoping to bag at least a blue-winged teal. The greatest prize, however, would be downing a Canada goose.

At that time, the Canada geese were non-existent in our area. The only ones we saw were the northerners migrating south ahead of the Canadian winter. Some men I knew spent a lot of money to hunt them farther west. That was out of my boyish league. Someday, if I waited, I might afford it.

I bagged all the geese I could ever want one November day in the late 1950s. A steel gray overcast covered the sky and the chilly north wind foretold wintry weather ahead. Dad and I were picking the last of the corn when I heard something and looked up. High above us, I saw a skein of geese winging south. Then another line of geese, and another.

All day, hundreds, thousands, even tens of thousands of geese passed over our heads. I wanted to hunt, then and there, but they flew too high to reach them with my shotgun. Hour after hour, they moved in long undulant lines, in skeins of rippling birds honking, cackling, and muttering as they rode the the hard north wind. They traveled in large flocks of Canada geese, snow geese, blue geese, and the smaller brants.

I had never seen so many geese before, nor have I seen that many in the years since. Each year I waited and hoped I might see such a migration again. Before going to bed that night, I stepped outside in the windy darkness. They were still there, high up, calling, cackling, honking on ahead of the winter gales. It was a moment of wonder that has lasted a lifetime.

You don’t need a tour guide

New fir tips
New fir tips

Let me begin by pointing out the qualitative difference between a tourist and tour-ism. A real tourist is well-informed about what she wants to see and what he wants to do. Modern tour-ism is an industrial system organized to maximize profits for airlines, hotels, national parks and service businesses by co-opting a person’s normal curiosity and then herding them into an artificial experience, too often at the lowest common denominator, for a high price. Industrial tourism, as critic Edward Abbey pointed out, separates the tourist from what he originally came to see by inserting a commercial veil that dilutes the experience the traveler hoped to have.

Twin flower
Twin flower

A true tourist doesn’t expect guarantees of satisfaction from his experience. Traveling is a risk and  satisfaction depends on the traveler’s personal resources, her encounters with people she doesn’t know and his capacity to notice new and different things in the places and people he meets. Travel is a state of mined and you don’t have to go to distant countries and continents to be a tourist. No! You can be a tourist, even an explorer, in your own yard. Emily Dickenson roamed the world from her garden and Henry David Thoreau discovered the world from his cottage on Walden Pond.

Glacial groove
Glacial groove

I often travel to distant places but today I was a tourist in a familiar place as I climbed 500 feet to the crest of a barren ridge overlooking Lake Superior. Today I looked at the route with the eyes of a tourist and saw anew how the afternoon light slanted through the trunks of spruce trees. On the trail, I stooped to admire the tiny blossoms of the twinflower, noted the two-toned green of new fir needles, the tough three-toothed cinquefoil growing in the cracks of a granite knob, and the groove in a granite knob left by a retreating glacier. To be a tourist is to be mindful of the moment, to take nothing for granted, to humbly suspend one’s ordinary assumptions and expectations of the familiar in order to see the extraordinary world in front of him. For me, this keeps the world perpetually new.

Afternoon light in spruce
Afternoon light in spruce

Dreaming, learning, and then executing one’s plan of travel is the true joy of being a tourist. My daughter and I read up on Utah’s canyon country and then hiked for days in Arches, Natural Bridges, Canyonlands, and Mesa Verde national parks without a guide or outfitter. Our most important equipment consisted of open minds to we could see what was before us. I travel this way in Mexico. In the company of a Mexican friend, we rode rural taxis through the mountains to attend patronal festivals, visit indigenous pueblos, and share coffee with her friends. We didn’t have planners, clerks, guides, or tour buses to get in our way.

Our experiences weren’t fabricated according to predetermined metrics ofGranite knob customer satisfaction; they occurred spontaneously out of curiosity, mindful observation and personal interactions. So, go on tour, close by or far away, keep your mind clear, your eyes open, and you will be your own best guide.

 

Granite knob

 

 

 

 

 

The Intimate Hand

Response to Daily Prompt: Handwriting

In these days of digital communication, it is a rare and joyous occasion when I receive a hand-written letter. It is far more personal than a typed letter of cold, perfectly-formed characters lying inert on stark white paper with a signature scrawled at the end. But even these have more intimacy than an e-mail or—worse—a  text message of ‘LOL’ or ‘OMG.’ No. Except for face-to-face, person-to-person conversation, handwriting is the only form of communicating that conveys the innate character of the other person as an integral part of the message.

I treat a hand-written letter, with its pen and ink, as a huge gift of someone’s time and affection. Such letters begin with someone’s desire to tell me something. Their heart’s desire becomes a thought, leading to an impulse to pick up a pen and sheet of paper. And then their fingers grasp the pen, their hand moves in obedience to the commands of their head and heart. Ink flows across the sheet of paper, across the watermarks, across time and space in distinctive cursive lines, a weaver’s tapestry embracing me in thoughts and emotions.

The joy of a handwritten letterl
The joy of a handwritten letter.

When the postman leaves the envelope in my box, I open it with feelings of expectation, of joy, a feeling of being chosen, special, because someone made the effort to write a message to me instead of banging it out hastily on a computer. Their fingerprints, their DNA, is on the paper, in the words as much as the ink. Handwriting is to the essence of personal communication what scent is to the identity of a flower.

Even without a signature, I know who wrote the letters in the family collection I curate for eventual donation to the historical society. My grandfather’s letters—hastily typed on cheap paper with two fingers of each hand—link skipped letters together with inked lines. His typed-over errors are interlaced with written corrections and annotations. Grandpa’s handwriting was as hasty as his typing because all must be done yesterday. He could never get to the mail box fast enough.

Dad's writing.
Dad’s writing.

My Dad wrote the way he walked, worked, and swam in strong, graceful pen strokes slanted forward along even lines. His autography has a rhythm as visually distinctive as his walk. He wrote factually, reporting, narrating and describing the look of things, the course of the action. His extroversion shone through with nary a trace of personal reflection. It’s a writing style he learned from his father, a newspaper editor, and then honed as a sports stringer in high school and college.

My mother's hand.
My mother’s hand.

Mom’s writing slanted back on itself in open loops. Her hand moved across the page in short bursts, pausing now and then to think, ponder, then back up and rephrase. She wasn’t given to reportage; she wrote repartee, playing with the ideas and words as if in direct conversation. That’s how her mind worked, that’s how she talked, that’s why people loved her. She often sprinkled French words and phrases here and there in letters to her brother and aunt. That’s the mark of an educated woman from an upper class family, ‘n’est pas?’

My uncle's autography.
My uncle’s autography.

My uncle—Mom’s brother—seldom penned a letter but when he did, he drew his words more than wrote them. He was an artist who held his pen between his thumb and fingers as if it were a brush and then dabbed the words on the page with a idiosyncratic calligraphy in keeping with his other eccentricities. Like my mother’s letters, he wrote informally, as if living in the moment, writing for emotional effect rather than merely relay information.

My brother's script.
My brother’s script.

Schools stopped teaching cursive penmanship several decades ago and contemporary college students don’t write cursive and many can’t read it. This is a problem for those who need to read handwritten documents. I learned to write cursive in grade school but my daughters didn’t. My eldest writes by printing in a distinctive style and so does my younger brother. My own writing has assumed a distinctive form and style over the years. Though distinctive it is legible—at least when I’m not in a hurry. Like my father’s hand, my writing slants forward, it’s patterns rhythmic but the letters are sharper and as much drawn as written.

In my work as a historian, I have read thousands of letters written by hundreds of people. No two scribblers have the same style. Each one has penmanship that reflects their personality—at least I associate the personality with the autography—which is how I know the deceased. And that brings me to what we are losing in the age of digital communication. (And you may say—oh, there he goes, talking about ‘the good old days.’) Communication written by hand conveys something that writing by a machine can never convey. When my Dad was a legislator, he often dictated personal letters out of convenience. The ‘personality; that came through dictation wasn’t the one I knew from handwritten letters.

My writing.
My writing.

When I want to express what is deepest inside, I must write in longhand. The kinetic connection of fingers, hand, arm, brain and heart releases whatever truth lies waiting to be told. Typing or writing on my laptop throws a veil over my feelings and my expression is weaker, more qualified, less true. Only in writing longhand can I write what is most true.

You may disagree but, before you do, try writing longhand and notice the difference in what you feel, and the power of the words you use to say it.

 

 

Days of Giving Thanks

Late November. This is the perfect season for a day of thanksgiving – at least in Minnesota. Autumn is over, except on the calendar. The day for giving thanks comes at the end of harvest, as it should. Now the season’s harvest of corn, oats and soybeans – the fruits of considerable cost, risk, and sweat – was secure in the bins and cribs. Unless snow came early, we usually finished plowing most of the stubble. November days are cold, the sky is cloudy most of the time, occasional skiffs of snow blow through and winter lurks just over the western horizon. It’s the kind of weather that draws us closer to each other. Thanksgiving Day punctuated our year far more than did Christmas. Continue reading “Days of Giving Thanks”

Today turned out to be all the weather geek said it would be – and more. The rime of frost on the edge of the garage roof – white on brown – lends a nice touch to daybreak. Then – gone – a filmy coil of rising vapor – like a morning prayer.

Spring warmth spreads sweetly – like puppy love – on a sweeping south wind. I sit in the sun, enjoying a bottle of porter and the last of the cashews. In my wooded Minnesota subdivision, where the smallest lots measure a quarter acre, our houses sit far apart among the oaks, elms, and honeysuckles. No sidewalks connect us – each house is an island – and we are an archipelago of suburbanites on a cul de sac. Friendly – we know each other – but private.

Some neighbors migrate south for the winter and the rest of us simply ‘hibernate,’ denning up in our houses, going and coming through the garage. Now and then, we meet each other after a humongous snowfall when we join to push a stuck car off the street or happen to shovel our driveways at the same time. We are winter introverts and this is enough neighborliness in the cold.

The neighbor across the road is loading firewood into the bed of his pick-up. I walk down the drive, get the mail from the box, and stop to talk. He tells me about his shoulder replacements. We are both over 65 and commiserate on our respective aches and pains. Neither of us is ‘what we were cracked up to be’ even a few years ago.

Then I return to the lawn chair and sit in the soft lap of late afternoon with a book in my lap. I’m not reading but sitting as content as a sunning turtle, looking at a piece of the world that’s temporarily mine.

The season’s first flies buzz about in the sun, the wind soughs through the top of a neighbor’s cottonwoods, and the rattle last year’s leaves on my oaks. Green shoots poke through the thatch of lawn, now four shades greener than yesterday, thanks to a half-inch of rain. Pubescent leaf buds pop along the twigs on the chokeberry bush, ready to unfold like young adults in a day or two with a show of green. But that flash belongs to the morrow and is not yet a reality.

A mole, just out of hibernation, tunnels along the edge of the concrete walk, and leaves a long, low mound like a glacial esker. I don’t resent his presence today but I will in a couple weeks when I mow the lawn. I see no point in starting resentments early.

A gray tree frog utters a sharp, almost percussive, creak from a hidden place in the lawn. I can’t see him but I know his general location. Down the street, in the marsh by the blind curve, northern leopard frogs croak with Falstaffian glee – like men packed into a sports bars on game day. They croak the same phrases over and over – hoping to ‘score’ a mate.

Sitting quietly in the lawn is a respite from a writers’ conference. I’m humbled and a little intimidated after three days in the company of novelists and memoirists, poets and essayists far more eloquent than I am. Writing is a generous act, one of them said in a presentation. I believe it’s true. Does it take talent to be generous?

Six weeks from now – in a future not yet mine – I will reunite with the Macalester College class of 1965. No! This can’t be the 50th reunion already! It is true but I want to stay in denial. I feel an urge to slim down and tone up. Why bother? We all know we are half-a-century older. Slimming and toning can’t change anything, much less reverse the years. Besides, I’m wiser now than before. I guess that is something of being more than ‘I was cracked up to be’ back then.

This class is an unusually earnest cohort. We entered college as John Kennedy began his presidency. JFK’s idealism formed us while his assassination matured us. Most of us are still pushing new frontiers. When reunion day comes, we will sit at tables to discuss weighty questions about whether ‘we had it all,’ whatever it was. Said another way, we will consider whether life is ‘all it was cracked up to be.’ We will talk urgently about the things we still need to accomplish until prostrated by seriousness.

I remember graduation day, the high-minded the commencement speaker, his exhortation to pursue our dreams, and a rush to change the world. Along my way, did I pause often enough to appreciate the grass in its growing or listen to the tree frogs in courtship? Did I stop to let the moment take me by the hand and reveal itself to me?

The future offers no guarantees but no one told me. Experience taught me the future doesn’t belong to me in advance of its arrival. The future is a dream, a possibility and – sometimes – a nightmare because the future has no reality. For a long time, I lived for the future and completely missed the present. I know better now. Only the present moment is real. It is all I have. The past is lost to memory and can’t be changed. The future is a possibility beyond my control. Moment by moment, I live into the future – moving as blindly as the mole tunneling my lawn – feeling my way forward, seeking the right path. The present moment is ‘all it’s cracked up to be.’

Warmth, not heat, but warmth seems to define the human condition.  I welcome warmth with anticipation for what the season brings and watch it depart with gratitude for its many gifts.

It’s the first spring-like day in early April, I quiver with the anticipation of lasting warmth. It feels like new love.  Standing outside, under a clear sky, I turn my face to the bright sun.  The air is calm and my jacket lies unneeded on the grass.  I fill my lungs with the scent of the waking earth; I watch robins hop across the lawn, piping their cheery song.  In my heart,  I know there’s more warmth where this came from.  And even if a few flurries and drizzles follow next week, I know I hold a ticket to winter’s last act.  Real warmth is on its way.

All too soon it’s the end of October, and possibly it’s the last summer-like day of the year. Now the midday sun rolls closer to the horizon, shadows lie longer across the yard, and there’s frost in the morning. I shiver a little and take comfort in the jacket zipped to my neck. Here in the North, on the cusp of gray, stormy November, I dwell on the bumper crop of heirloom tomatoes, the happy sound of children running through the sprinkler, and the suntan I got without a bad burn. It might snow tomorrow, but I have a larder full of memories to carry me through the winter.

Warmth. Yes! But it’s the memories of warmth that sustain me in the coldest of seasons.